At the Edge of Oblivion
Two-channel video installation
2021
1. Guest (Temir-Khan-Shura synagogue)
2. Saida (Jewish cemetery)
The Temir-Khan-Shura synagogue and the Jewish cemetery in Buynaksk still exist as a reminder of the once extensive community of Mountain Jews in this Dagestan town.
Guest
The synagogue, built in 1861, is well-preserved, but the sad signs of oblivion are becoming more and more clearer. Sometimes, the synagogue opens its doors, and then guests come. This guest is a special one, an enlightened and attentive observer. He recalls and writes down words in Hebrew and Arabic, studies the synagogue’s decorations and examines details. The guest tries to imagine what it was like when there was life here filling the emptiness of abandonment for a while.
Saida
Saida lives at the Jewish cemetery and looks after it to the best of her ability, just as her father and grandfather did. Maybe her great-grandson, who lives with his mother here in the cemetery, will do the same. Saida’s life at the graveyard, with her geese, chickens and dogs, is natural in its daily routine, combining Muslim customs with respect for another religion, and the cemetery keeper imagines no other destiny but to care for the graves of the deceased Jews of Buynaksk.
The video installation At the Edge of Oblivion was created as part of the project Rediscovering the Temir-Khan-Shura Synagogue with support from the Russian Jewish Congress Charitable Foundation.

Exhibitions:
2023 — Video Art Miden, Thessaloniki, Greece
2022 — Between Heaven and Earth, solo show by Marina Fomenko, CCI Fabrika, Moscow2022 — Meeting with the Sacred, Alanika-15, Vladikavkaz, Russia
2021 — The Promised Caucasus, International Ethnocultural Festival, Derbent, Russia