Portrait of the Shukhov Tower is a part of TIME IS LOVE.7 - [Show 2]
International video art program Curated by Kisito Assangni
Friday 21st March 2014 7pm GALERIE TALMART
22 rue du Cloitre Saint-Merri
75004 Paris
Featuring:
Alexis Milne & Tom Bresolin (UK), Amina Zoubir (Algeria), Anahita Razmi (Iran), Anders Weberg (Sweden), Anne Lise Stenseth (Norway), Antonello Matarazzo (Italy), Arnaud Brihay (France), Belle Shafir (Israel), Carlo Giuseppe Zuozo (Italy), Eva Olsson (Sweden), Francesca Leoni (Brazil), Gianluca Capozzi (Italy), Evelin Stermitz (Austria), Guli Silberstein (Israel), Grace Kim (Korea), Irina Gabiani (Luxembourg), Joas Nebe (Germany), Jose Man Lius (France), Justyna Scheuring (Poland), Laura Focarazzo (Argentina), Marie-Paule Bilger (France), Marina Fomenko (Russia), Margarida Paiva (Portugal), Matthias Mollner (Austria), Maximilian Schmoetzer & Fabian Heitzhausen (Germany), Max Hattler (Germany), Monica Elkelv (UK), Nao Sakamoto (Japan), Nina Lassila (Finland), Otto Berchem (USA), Rahman Hak-Hagir (Afghanistan), Rehema Chachage (Tanzania), Robert Croma (UK), Riham Isaac (Palestine), Said Afifi (Morocco), Said Rais (Morocco), Sandra Bouguerch (UK), Saul Levine (USA), Sheri Wills (USA), S/N Coalition (USA), Sylvia Toy St-Louis (USA), Tina Hochkogler (Austria), Véronique Mouysset (France), William Esdale (UK).
&
A FREE NIGHT OF PERFORMANCE
9pm
Including:
Audrey Phibel (France) | Azadeh Nilchiani (Iran) | Michele Magema (D.Congo) | Pauline Horovitz (France) | Sarah El Hamed (Algeria) | Stéphanie Lagarde (France).
Time is Love Screening is a roving international video art program on the theme of love in hard times.
Since 2008 the project has been exploring forms of artistic expression rising from society and the new media's use of technology.
The loving feelings recover the desert of our biggest troubles as our most beautiful enjoyments. The selected artists venture on the thread of this tricky ambivalence. They deliver us without concession a range of complexities and passions generated by human relationships. Each of the artists leads an interdisciplinary practice bringing a questioning and a criticism on a system of relation to others which appears to us as being dying.
Videos deal with prevented communications, disturbed feelings, globalisation, memory and spirituality. Love as universal feeling extricates itself here from traditional clichés and from a timeless idealism.